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#77 Feb 12 2013 at 5:35 PM Rating: Excellent
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Just stuff city folk listen to.

Goddamn hippies. Smiley: disappointed
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#78 Feb 12 2013 at 5:55 PM Rating: Good
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She's tied with Dolly PArton for Grammies. (she has lots)
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#79 Feb 12 2013 at 6:04 PM Rating: Excellent
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Y'know who's really niche? The ******** Surfers!

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#80 Feb 12 2013 at 6:16 PM Rating: Excellent
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Sloppy seconds?
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#81 Feb 12 2013 at 6:36 PM Rating: Decent
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Jophiel wrote:
She's had 29 songs on the Billboard's Top 20 chart and seven #1 spots.

Look, Gbaji's just a dope. There isn't actually an argument for whether or not she's "niche".


Billboard's relevance as a determinant of broad musical exposure pretty much disappeared sometime in the mid to late 90s. It's significantly less relevant as a measure of what people are likely to be exposed to when listening to the radio due to the use of download and streaming factors in their measurement. Top ranks are more likely to represent artists who have a very fervent following, but not necessarily a broad following. We can debate the merits of those changes, but it does mean that it's quite possible for an artist to consistently rank high on their ratings because her fans are more likely to download or stream her music online despite relatively low or limited radio airplay.

In short, it's a lot more likely today for a top billboard ranked musician to have a much narrower range of fans than it was say 20 years ago. Back then, a top hit was played on the majority of radio stations (cause that's how they measured it). Today, you could be ranked number one even if only a small percentage of stations in any given market play your songs because your fans are listening to and downloading your music online instead. Interestingly, artists who get less broad radio play are more likely to have higher offsetting online numbers (because that's the only way to easily get access to the songs), skewing this even more. Add in that folks who follow the charts online may then also download songs based on those charts (creating a feedback effect) and this factor becomes even stronger. So yes, a "niche artist" can have numbers like that. In fact, that's precisely why billboard changed their chart methodology away from "how many stations are playing this song" to "how many downloads did this song get"? I'm not saying that methodology is wrong or anything, but that it is measuring something different and therefor doesn't mean the same thing.

I listen to about 8 different music radio stations in my car, and flip somewhat randomly through them. If I've ever heard a Beyonce song, I don't recall it and didn't recognize it during the show. She just doesn't get broad radio coverage. The reason she charts so high is because they changed the methodology. She likely would not have more than maybe one song on the top 100 using the old methodology.
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#82 Feb 12 2013 at 6:42 PM Rating: Excellent
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Are you trying to say that a small number of fans were buying her music over and over and that's why every one of her albums went to number 1?

Note that Billboard has always been about sales and never about playtime, at least as far as I've been able to find. Radio Stations certainly use the numbers as input into what they should play.

Edited, Feb 12th 2013 6:45pm by Xsarus
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#83 Feb 12 2013 at 6:52 PM Rating: Excellent
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gbaji wrote:
Billboard's relevance as a determinant of broad musical exposure pretty much disappeared...

Yeah, you'll have to excuse me if I don't take news on the music scene seriously from the guy who didn't know who the fuck Beyonce is.
Sir Xsarus wrote:
Note that Billboard has always been about sales and never about playtime, at least as far as I've been able to find. Radio Stations certainly use the numbers as input into what they should play.

It's both.
lolwiki wrote:
The Billboard Hot 100 is the American music industry standard singles popularity chart issued weekly by Billboard magazine. Chart rankings are based on radio play and sales; the tracking-week for sales begins on Monday and ends on Sunday, while the radio play tracking-week runs from Wednesday to Tuesday.



Edited, Feb 12th 2013 6:58pm by Jophiel
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#84 Feb 12 2013 at 7:04 PM Rating: Good
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gbaji wrote:
I just think that more people are willing to ignore that poor performance for some reason. I wonder what it could be?
That ***.
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#85 Feb 12 2013 at 7:23 PM Rating: Decent
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Sir Xsarus wrote:
Are you trying to say that a small number of fans were buying her music over and over and that's why every one of her albums went to number 1?


No. I'm saying that by including online streaming and downloads into their calculation, there is greater possibility of high chart rankings despite relatively low radio station play of the same song. So song A is being played on 10 different stations across 3 different genres in a given market, but because of this fewer people are streaming it online (cause they're hearing it every day in their car). Song B is available on 2 stations in one genre in the same market, but has a much greater volume of downloading and streaming. Song B will chart higher than song A even though song A has a far wider audience.

This means that there's a greater chance of a chart topping song not having been heard ever by a much larger percentage of the radio listening population than in the past.

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Note that Billboard has always been about sales and never about playtime, at least as far as I've been able to find.


False. Billboard has always been about both radio play and sales. In fact, for some time they limited it to the union of both, meaning if a song was getting massive airplay but wasn't currently on sale as a single, it didn't chart. Over the last 20 years, they've changed to rules to allow for more methods of play to count as well as sales, even when the single isn't for sale at all. Most significantly, they've added online access (downloads and streams) to their chart calculation (in the last decade).

Again, we can discuss why these changes were made (and a lot of it had to do with big labels squeezing out competition by manipulating airplay, so I'm not saying this is a bad thing), but it's foolish to insist that someone must be nuts because they don't think that a chart topping artist has that broad of an audience. She doesn't.

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Radio Stations certainly use the numbers as input into what they should play.


Radio stations are generally given copies of songs by the label and permission to air them (generates ad revenue for the station, and advertising for the label). Whether a song is played and how often it's played has to do with the audience of the station and what they are requesting (and yes, sometimes what the labels are pushing). That and the genre focus of most radio stations is why you can have artists who get big chart numbers, but only a relatively small percentage of all radio listeners have heard their songs. I honestly think that saying 60% of superbowl viewers could not name or recognize a Beyonce song is not far off at all.

Edited, Feb 12th 2013 5:27pm by gbaji
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#86 Feb 12 2013 at 7:30 PM Rating: Excellent
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gbaji wrote:
Song B is available on 2 stations in one genre in the same market, but has a much greater volume of downloading and streaming. Song B will chart higher than song A even though song A has a far wider audience.

As well it should since it's obviously far more popular. Which means more people are into Song B than Song A. Which means someone arguing that Song B is "niche" is an idiot.

If Song A was more popular, more people would be paying for it and it would blow Song B out of the water with its combination of radio play and sales. Of course, I honestly doubt the veracity of your claims regarding Beyonce's radio play (especially versus mythical songs that are getting regular play on four-five times as many stations).

Edited, Feb 12th 2013 7:31pm by Jophiel
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#87 Feb 12 2013 at 7:36 PM Rating: Good
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gbaji wrote:
She just doesn't get broad radio coverage. The reason she charts so high is because they changed the methodology. She likely would not have more than maybe one song on the top 100 using the old methodology.
Yeah, she gets broad coverage.

But sounds like you've uncovered another liberal plot to subjugate the masses? Do tell.
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#88 Feb 12 2013 at 7:38 PM Rating: Good
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Jophiel wrote:
[quote=gbaji] Which means more people are into Song B than Song A.
It's trickery.

baji's goin' deep.
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#89 Feb 12 2013 at 7:42 PM Rating: Excellent
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A brief survey of San Diego radio stations shows five Top-40 stations (which are all going to regularly play Beyonce by definition), an urban contemporary, an adult contemporary and a rock station that all had her on their front pages or recent play lists. Given that most of the other stations were Public radio, Spanish language and a couple rock/alternatives, I'd say the lady is adequately well represented in the Southern California English-radio sphere.

I have no idea what "eight stations" Gbaji is listening to to avoid her but he must have hit the perfect combination of genres. Or else listens to a lot of reggaeton.
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#90 Feb 12 2013 at 7:55 PM Rating: Excellent
I'd say he listens to AM talk radio, but he doesn't get his news from anywhere, so that can't be it.
#91 Feb 12 2013 at 7:59 PM Rating: Good
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He listens to those stations that hide in between the regular stations.

They have songs like:
Churrrrrrrrrrrr
by Shhhhhhhhhhhhhhhhhhhh
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#92 Feb 12 2013 at 8:00 PM Rating: Decent
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Jophiel wrote:
gbaji wrote:
Song B is available on 2 stations in one genre in the same market, but has a much greater volume of downloading and streaming. Song B will chart higher than song A even though song A has a far wider audience.

As well it should since it's obviously far more popular. Which means more people are into Song B than Song A. Which means someone arguing that Song B is "niche" is an idiot.


100% popularity among 5% of the population compared to 5% popularity among 100% of the population. You get that total number of downloads doesn't tell us how diverse the audience downloading the songs are. Total number of radio stations and genres playing a song does. Billboard changed their methodology specifically because smaller "niche" artists (like hip hop and rap) were getting big record sales, but were not getting broad radio play. Again, we can discuss those changes as well, but the end result is that it is much more likely (because it's actually possible now) for a musician to chart high on Billboard while only hitting a very small number of radio stations across the US. Which means that a larger percentage of the total population may never have heard their song(s) at all than was possible before.

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If Song A was more popular, more people would be paying for it and it would blow Song B out of the water with its combination of radio play and sales.


Not necessarily. You're also conflating "more popular" with "broad audience". You could have an artist which appeals to a small audience, but appeals very strongly and every one of that small percentage of the population buys her song. You could also have an artist with broader appeal, but fewer people within that audience are going to actually pay for the song. There are an amazing number of songs I hear on the radio that I don't pay money to buy Joph. I'm sure that's the same for everyone. So saying that because one song was purchased more than another doesn't tell us anything about how broad the audience for that song was.

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Of course, I honestly doubt the veracity of your claims regarding Beyonce's radio play (especially versus mythical songs that are getting regular play on four-five times as many stations).



I can only provide anecdotal information for this. I listen to a number of stations. I don't recall ever hearing a Beyonce song. Again, it's possible I have, but if so, they didn't make any significant impact on me, and I certainly didn't recognize anything she sang in the Superbowl as something I'd heard before. She does not get airplay on pop or alternative or rock stations. She mostly gets play on R&B and Soul stations, which I don't listen to. Guess what? I also don't listen to country stations. There's a ton of country music stars that I'm sure are *huge* in their genre. But I'd also call them niche artists if they don't get airplay on the more mainstream stations. There's a ton of crossover in music, but if I have to go listen to a genre focused station to hear someone's music, that's when I think of that artist as having a limited audience.
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#93 Feb 12 2013 at 8:03 PM Rating: Good
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gbaji wrote:
She does not get airplay on pop or alternative or rock stations. She mostly gets play on R&B and Soul stations, which I don't listen to.


No, she gets airplay on pop stations...
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#94 Feb 12 2013 at 8:04 PM Rating: Good
I often find myself wondering how a single person can be on the obvious losing end of so many arguments simultaneously and continue to delude himself into thinking it's everyone else who's wrong. That's a mighty strong (false) sense of self-confidence, there.
#95 Feb 12 2013 at 8:10 PM Rating: Excellent
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Is this the math that Republicans do to make themselves feel better?
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#96 Feb 12 2013 at 8:19 PM Rating: Default
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BrownDuck wrote:
I often find myself wondering how a single person can be on the obvious losing end of so many arguments simultaneously and continue to delude himself into thinking it's everyone else who's wrong. That's a mighty strong (false) sense of self-confidence, there.


Because I'm massively smarter than 99% of the population. I'd explain how that correlates to the various arguments I engage in, but you'd probably not understand it. Smiley: lol
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#97 Feb 12 2013 at 8:31 PM Rating: Excellent
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gbaji wrote:
She does not get airplay on pop or alternative or rock stations.

Oh, good lord.

Screenshot



Edited, Feb 12th 2013 8:32pm by Jophiel
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#98 Feb 12 2013 at 9:19 PM Rating: Decent
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Oh, for fuck's sake. Why are we arguing pop music with a reclusive middle-aged IT engineer?
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#99 Feb 12 2013 at 9:26 PM Rating: Excellent
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Hey, what's wrong with IT engineers?
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#100 Feb 12 2013 at 9:31 PM Rating: Good
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gbaji wrote:

Because I'm massively smarter than 99% of the population.
That's heavy.
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#101 Feb 12 2013 at 9:39 PM Rating: Decent
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Debalic wrote:
Oh, for fuck's sake. Why are we arguing pop music with a reclusive middle-aged IT engineer?


Apparently so. Dunno how that happened to be perfectly honest. Smiley: clown
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